By Dwaine Plaza

Oregon State University

The much-anticipated Kaiso 365 competition roared to life at the East Town Banquet Hall last night, delivering a dazzling showcase of Caribbean culture and musical prowess. The event drew a lively sold-out crowd of attendees, reaffirmed why the Calypso Monarch remains a highlight of Toronto’s Caribbean carnival.

The stage was set for a spectacular evening with bright, colourful decor that captured the essence of Calypso.  From the moment the first note was struck by Ossie Curley’s band, “The Truth”, it was clear that this year’s competition would be a memorable one. Nine contestants from across the Caribbean diaspora brought their A-game, each performance brimming with energy, creativity, and a deep-rooted connection to the Calypso tradition of social commentary and double entendre.

The competition featured a collection of standout calypsonians, each vying for the prestigious title—Calypso Monarch. The performances ranged from classic calypso with a modern twist to experimental blends of calypso and double entendre. Notably, the night was marked by strong vocal performances, intricate lyrical content, and engaging stage presence.

Bill Newman (Crooner) composed a song about Stormy Daniels taking down Donald Trump. Crooner went on to win the People’s Choice award category along with the first runner-up. Joel Davis (Connector) sang about Caribbean people in general forgetting to pay homage to its Calypsonian legends like the Roaring Lion, Growling Tiger or Executor. His song, tied for best melody with Crooner’s. The night was also punctuated by three women Calypsonians. Most notable was Naki who began singing in Trinidad at the age of twelve. Her composition “Unfinished Business” reminded us not to forget Kaiso and its importance in our culture earned her the third spot.

Veteran calypsonian King Cosmos (Henry Gomez) delivered a performance that was a critique of women’s Mas costumes today. Cosmos chastised the costumes because they are now just bikinis, bras and skimpy thong bottoms punctuated with beads and feathers. His social criticism is that costumes have lost the essence of the masquerade and it is now just a naked body dancing on the streets of Toronto. His powerful and emotive performance resonated deeply with both the audience and the judges. Cosmos ability to blend poignant storytelling with infectious rhythms set him apart and secured him the top spot as Calypso Monarch for 2024.

The judging panel, comprised renowned academics, musicians, teachers and artists. The judging of the Calypso music was based on three criteria, melody, lyrics and presentation. The show was hosted by the very talented Rhoma Spencer who kept the crowd engaged and laughing at her many innuendos.

The 2024 Calypso Monarch competition is more than just a musical contest; it is a celebration of Caribbean Canadian culture and a testament to its enduring influence. Last night’s event exemplified the unity of the Caribbean community in Toronto. What was most noticeable was the age profile of the audience.

The event was sold out but it was overwhelmingly attended by people over the age of sixty. This is particularly alarming because it suggests that once this group is gone, who will be left in Toronto to support this important cultural commentary art?